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Riedel Performer AAS ( Audio Assignment Software.) 

The following guide explains how to interface Riedel Performer (C44+) and Bolero (NSA) channels using the AAS software. 

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Assigning channels 

Decide the names of each channel. In this example there are 5 channels to be shared (interfaced) between the wired and wireless systems.  We will refer to these as 4-Wires, as listed below. 

4-Wire Channels (C44 & NSA) 

  • Production 
  • Cams 
  • Audio 
  • LX 
  • Media 

Performer DPLs 

We can now plot these using the AAS (Audio Assignment Software) software in Performer. Make sure mirrored cross points is enabled so the audio is routed in both directions. 

On each DPL, production is on channel A, so we make a crosspoint  between DPL  1A, 2A, 3A & 4A. 

Next, we link the 4-wire channels to the DPLs.  We need to make a crosspoint from 4-Wire channel 1 (Production) to DPL 1A, DPL 2A, DPL 3A & DPL 4A. 

Similarly we need to make a cross-point between 4-Wire 2 (Cameras) and DPL 1B.   

Do this for each 4-Wire channel. 

Figure 1. AAS software

Bolero only channels

The Bolero channels are listed below. 

Bolero partylines 

  • Production 
  • Cameras 
  • Audio 
  • LX 
  • Media 
  • Prod private 
  • TDs 

The Bolero channels (the first 5 channels in the list) are interfaced with the Performer channels, so we need to complete any partylines in Bolero. Create a partyline for Prod private and TDs and assign these to the Bolero packs that are in these partylines. 


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